{"id":1049,"date":"2016-03-01T12:00:31","date_gmt":"2016-03-01T11:00:31","guid":{"rendered":"http:\/\/www.carlosrondamas.com\/?p=1049"},"modified":"2016-03-28T18:08:00","modified_gmt":"2016-03-28T16:08:00","slug":"xavier-grau","status":"publish","type":"post","link":"https:\/\/www.carlosrondamas.com\/en\/xavier-grau\/","title":{"rendered":"Xavier Grau"},"content":{"rendered":"<p>\u00abZero\u00bb is the beginning, the ending, is nothing and all, a place to start and to arrive.<\/p>\n<p>Xavier Grau, in his first album, is presenting a different and personal view of the electric bass, a new work where the improvisation, the emotions, a sincerely and direct way to do music are the motor of all the things than occur in this album, and up to stage. All this with a repertoire based in the style of some of the catalonian bassist more influents, that also are the key to understand the construction of his project.<\/p>\n<p>\u00abZero\u00bb is essence and every concert its a moment of sublety, humility, sincerity and emotion a unique moment with a band that is too.<\/p>\n<p>In March 2015 the japanese magazine Jazz Life wrotes about this album: \u00ab[&#8230;] Zero show us the talent of Xavier like a composer [&#8230;] and also his excellents qualities as a solist bassits.\u00bb<\/p>\n<p><strong>Listen here:<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify:album:3hu0qOCUBuVhjW1FndY0Ck?play=true&#038;utm_source=open.spotify.com&#038;utm_medium=open\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"><\/iframe><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=1WCjlnaaYgA<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00abZero\u00bb is the beginning, the ending, is nothing and all, a place to start and to arrive. Xavier Grau, in his first album, is presenting a different and personal view of the electric bass, a new work where the improvisation, the emotions, a sincerely and direct way to do music are the motor of all the things than occur in this album, and up to&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1046,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-1049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discografia"],"_links":{"self":[{"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/posts\/1049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/comments?post=1049"}],"version-history":[{"count":7,"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/posts\/1049\/revisions"}],"predecessor-version":[{"id":1144,"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/posts\/1049\/revisions\/1144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/media\/1046"}],"wp:attachment":[{"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/media?parent=1049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/categories?post=1049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.carlosrondamas.com\/en\/wp-json\/wp\/v2\/tags?post=1049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}